How did music begin? Did our early ancestors first start by beating things together to create rhythm, or use their voices to sing? What types of instruments did they use? Has music always been important in human society, and if so, why? These are some of the questions explored in a recent Hypothesis and Theory article published in Frontiers in Sociology. The answers reveal that the story of music is, in many ways, the story of humans.
The earlier hominid ability to emit sounds of a variable pitch with some meaning shows that music at its simplest level must have predated speech. The possibilities of anthropoid motor impulse suggest that rhythm may have preceded melody, though full control of rhythm may well not have come any earlier than the perception of music above. There are four evident purposes for music: dance, ritual, entertainment personal, and communal, and above all social cohesion, again on both personal and communal levels. We then proceed to how instruments began, with a brief survey of the surviving examples from the Mousterian period onward, including the possible Neanderthal evidence and the extent to which they showed “artistic” potential in other fields.
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